The Tony-nominated cult classic from the makers of Hairspray makes its all-singing, all-dancing UK-premiere at Arcola Theatre.
It’s 1954. Everyone likes Ike, nobody likes communism, and Wade “Cry-Baby” Walker is the coolest boy in Baltimore. He’s a bad boy with a good cause – truth, justice and the pursuit of rock and roll.
Enter Allison, a strait-laced rich girl who trades her “Square” boyfriend, Baldwin, for the irresistible allure of Cry-Baby and his misfit crew, the Drapes. As rivalries intensify and hearts break, the city is turned upside-down in a rollicking tale of forbidden love and teen rebellion.
With infectious rockabilly hits like “The Anti-Polio Picnic” and “Girl, Can I Kiss You with Tongue,” Cry-Baby is a politically charged, laugh-out-loud cult classic. Described as “Romeo and Juliet” meets High School Hellcats”, this subversive musical directed by Mehmet Ergen, Artistic Director of Arcola Theatre, promises a toe-tapping, boundary-breaking good time.
Get ready for a wild ride — Cry-Baby is here to steal your heart!
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Running time
2 hours 15 minutes (including an interval) -
Age guidance
13+
"a deliciously satirical creation: dark, silly and utterly delightful... a firecracker of a show"- The Guardian
“Feel-good is the understatement of the year where this show is concerned... two hours of star-spangled fun. You’d be a cry-baby to miss it.”- Spy in the Stalls
“Winner of Offies Assessors' Choice Award”- Offies
“This is bright, loud, fast-moving and very funny show”- Plays to See Magazine
“The stellar direction, stunning costumes (Defne Özdogan), vibrant performances, and infectious energy make it a stand out experience—one that speaks to both the past and the present in ways that are impossible to ignore. Don’t miss it!”- HarryTheatreLife
“I'd give it all the stars on the flag if I could”- Curtain Call Reviews
“Satirical and silly, this musical embraces its own ridiculousness, delivering a hilarious and fun-filled evening.”- Everything Theatre
“—musically infectious, narratively relevant, inventively staged, and very, very funny... This should be a show that runs and runs, but as it stands, it’s only on until mid-April, so see it while you can.”- The Reviews Hub
“Gloriously trashy in the best way”- The Evening Standard
“It’s a spicy brew, served up as comedy, and is often helplessly, macabrely funny”- ajhloves theatre
“This may well be your new favourite musical”- All That Dazzles
“laugh-out-loud, entertaining night out!”- Stage To Page
“A vibrant and subversive musical”- Theatre Weekly
“Fun-fuelled & delightfully demented... deserves a transfer and needs to be seen”- Ovation Radio
“A high-energy, hilarious, and heartwarming production”- Stage Masters
“It’s not every day that I leave a theatre, get home, and immediately book another ticket to see the show again”- Unmissable Theatre
“It’s an immensely fun musical, and director Mehmet Ergen’s production ignites it with kilowatts of energy, supported by a truly electric cast.”- Operation Live Theatre
“Big, brash, bold and very silly... This show doesn’t come round all too often so take the chance to catch it while you can.”- West End Best Friend
“The most gloriously trashy and ridiculously brilliant theatre experience you’ll stumble upon this year."- A Young(ish) Perspective
“You may well see the underlying political point as satire, but if I were you, I’d get myself down to 1954 Baltimore (well 2025 Dalston) and just enjoy the sheer joyfulness of a fun-filled musical”- London Theatre1
“Cry-Baby The Musical is not just a revival of a cult classic, but a high-energy production full of laughter, dancing, and unforgettable performances that won’t be easily forgotten.”- Theatre & Tonic
- Reviews Gate
“Bold and brash”- The Telegraph
“a kitschy delight... At a time when fringe musicals are much rarer than they were a decade or so ago, seeing a young cast able to go full-out in an intimate space is a pleasure”- What's On Stage
“One of the most exciting casts I've seen in a while... a subversive musical theatre treat.. I can't wait to go back”- Theatre Fan
“must see show - A cult classic, Ergen and his team have blown its doors off and this riot of a musical can break out here too.”- Fringe Review

Production photos






Rehearsal photos





The Company
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Elliot Allinson
Baldwin Blandish
Elliot Allinson
Baldwin Blandish
Training: The Sylvia Young Theatre School and The Urdang Academy.
Theatre credits: Alternate Frankie Valli/Swing in Jersey Boys (Trafalgar Theatre – West End, London); Mike/1st Cover Phil Davis in White Christmas (The Mill at Sonning); Man 1 in Edges (Phoenix Arts Club – London); Emmett Forrest in Legally Blonde (Pleasance Theatre, The Urdang Academy); George Llewelyn Davies in Finding Neverland (Workshop); Friedrich Von Trapp in The Sound Of Music (UK Tour); Reginald in Matilda the Musical (RSC, Original Cast); Jeremy Potts in Chitty Chitty Bang Bang (UK Tour & Sunderland Empire, Original UK Tour); Kipper in Oliver! (Theatre Royal, Drury Lane – West End, London).
Other credits include: Frankie Valli – Strictly – It Takes Two (BBC TWO); Lead Singer – Big Girls Don’t Cry(Entertainers, East Coast Boys); Voiceover – Various Language Tapes (Pearson PLC).
Social Media: Twitter/Instagram: @elliot_allinson
Elliot would like to thank his family, friends, and agent for their continued love and support. -
JR Ballantyne
Ensemble/Whiffle
JR Ballantyne
Ensemble/Whiffle
Training: Arts Educational Schools London (ArtsEd).
Theatre credits: Prince Charming in Cinderella (Isaac Theatre Royal, NZ); Randy Dexter/Cover Aaron/Belling/Cioffi in Curtains (Wyndham’s Theatre, National Tour); Asher/2nd Cover Simeon in Joseph and the Amazing Technicolor Dreamcoat (London Palladium).
Credits whilst training: Dance Captain/Henry/Theodore Roosevelt in Disney’s Newsies; Belling in Curtains. -
Laura Buhagiar
Ensemble/Cover Mona, Pepper, Lenora
Laura Buhagiar
Ensemble/Cover Mona, Pepper, Lenora
Training: Royal Conservatoire of Scotland (BA in Musical Theatre).
Theatre credits: APS’s Summer Festival (Malta Philharmonic Orchestra); Malta Arts Festival; West Side Story (Opera National du Rhin); Fidwa tal Bdiewa (TeatruMalta); Seize the Cheese: A New Musical (New Wimbledon Theatre); A Good Ship Murder (Channel 5); The Enormous Crocodile (Leeds Playhouse & Regents Park Open Air Theatre); Jack and the Beanstalk: What A Whopper! (Charing Cross Theatre). -
India Chadwick
Wanda Woodward
India Chadwick
Wanda Woodward
Training: Guildford School of Acting.
Theatre credits: Marty/1st Cover Sandy in Grease (UK Tour); Narrator/Katie X in Three (Dorfman Theatre, National Theatre); Ensemble in PS I’m A Terrible Person (Cockpit Theatre); Ensemble/Cover Evil Queen in Snow White(Darlington Hippodrome & Swansea Grand).
India would like to thank her family, friends, and agent for their continued support.
Represented by Global Artists. -
Omer Cem Coltu
Ensemble/Drape
Omer Cem Coltu
Ensemble/Drape
Training: Royal Central School of Speech and Drama.
Theatre credits: The Lower Depths, The Cherry Orchard, No for an Answer (Arcola Theatre); Heart of Hammersmith(Lyric Hammersmith Theatre).
Film credits: Alchemy (musical film, written by Clive Nolan).
Omer was born and raised in Istanbul. -
Ellie-Grace Cousins
Ensemble/Dance Captain/Cover Allison, Wanda
Ellie-Grace Cousins
Ensemble/Dance Captain/Cover Allison, Wanda
Training: Bird College Conservatoire of Dance and Musical Theatre.
Theatre credits: Swing/Cover Sophie Sheridan & Lisa in Mamma Mia! (Novello Theatre); Ensemble/Assistant Dance Captain/Cover Paula & Lynette in An Officer and a Gentleman (UK Tour); Ensemble/Cover Tinkerbell in Peter Pan, The Return of Captain Hook (UK Productions).
Credits whilst training: Polly Baker in Crazy For You.
Ellie-Grace would like to thank her wonderful team at 33 Entertainment Group, family, friends, and especially her biggest supporter—her mum.
Instagram: @elliegracec_ -
Adam Davidson
Cry Baby
Adam Davidson
Cry Baby
Training: Laine Theatre Arts
Theatre credits: Grease (UK & Ireland Tour); White Christmas (Sheffield Crucible); Strictly Ballroom (UK & Ireland Tour); Mary Poppins (Prince Edward Theatre); Mamma Mia! (Novello Theatre); Mary Poppins (Stage Entertainment, Germany) -
Joe Grundy
Ensemble/Whiffle
Joe Grundy
Ensemble/Whiffle
Training: ArtsEd (Musical Theatre Course).
Theatre credits: Reverend Tim in Jack and The Beanstalk: What a Whopper! (Charing Cross Theatre); Nova in Disney: The Castle (Riyadh, Saudi Arabia); Howard in The Lost Plot (Workshop); William Stephenson in My Name Is Fleming, Ian Fleming (Workshop); Featured Ensemble in Pavarotti (Workshop, directed by Michael Gracey).
Screen credits: Lead role of Ace in Mafia Lovers (Vertical Series).
Credits whilst training: Sweeney Todd in Sweeney Todd: The Demon Barber of Fleet Street; Ensemble in The Beautiful Game; Markel/Ensemble in Doctor Zhivago (London Palladium). -
Ryan Heenan
Whiffle/Ensemble
Ryan Heenan
Whiffle/Ensemble
Training: Royal Central School of Speech and Drama.
Theatre credits: Camillus Travers in Bad Wednesday (Melford Arts); Jeff White in Lady, Be Good (Teatro Massimo, Palermo); Theo in Pippin: 50th Anniversary Concert (Theatre Royal Drury Lane); Frankie Valli in Jersey Boys (UK & Ireland Tour); Understudy Marty McFly/Dave in Back to the Future The Musical (Original London Cast, Adelphi Theatre); Rory in The Boy in the Dress (RSC); Bellboy/Wallace Hartley in Titanic (International Tour); Joe Spud in Billionaire Boy (NST & UK Tour); Peter Pan in Peter Pan (Churchill Theatre, Bromley); Tobias Ragg in Sweeney Todd (Derby Theatre/Mercury Theatre Colchester).
Television credits: Magic Grandad (BBC/Glasshead).
Voice credits: Voltaire High (Amazon Prime/VSI); Original Cast Recordings of The Boy in the Dress & Back to the Future The Musical.
Assistant Director credits: The Art of Success (Mountview); A Little Night Music (RCSSD). -
Shirley Jameson
Mrs Cordelia Vernon-Williams
Shirley Jameson
Mrs Cordelia Vernon-Williams
Theatre Credits: Martha in White Christmas (Mill at Sonning); Mrs Rose/Ensemble in Hello, Dolly! (London Palladium); Mrs Van Hopper in Rebecca (Charing Cross Theatre); Ensemble and Understudy Mrs Fezziwig in A Christmas Carol (Dominion Theatre); Mrs Strakosh/Understudy Mrs Brice in Funny Girl (Théâtre Marigny); Brenda Broccoli/Lady Cravenshire in Calendar Girls – The Musical (UK Tour); Miss Wilson/1st Cover Chris Harper in The Girls (Phoenix); Rosa in Rags in Concert
(Lyric); Sister Mary Teresa/cover Mother Superior / Sister Mary Lazarus in Sister Act (UK Tour); Anna in Lend Me A Tenor (Theatre Royal, Plymouth); Midwife/cover Madam Morrible in Wicked (Apollo Victoria); Mrs Brill in Mary Poppins (UK National Tour); Maggie Jones in 42nd Street (2 UK National Tours); Lady Boxington /cover Mrs. Pearce in My Fair Lady (Theatre Royal, Drury Lane & UK Tour); Madame/cover Mme Thernadier in Les Miserables (Palace); Blues Singer /cover Joyce Heth in Barnum (UK Tour); The Baker’ Wife in Into The Woods (Palace, Manchester); Jacqueline in La Cage Aux Folles (Opera House, Manchester).
TV and Film Credits: Wonka (Warner bros), Nurse in Eastenders (BBC). Commercial Credits include: Amazon Kindle.
Recordings: Ensemble in Les Miserables 21st Anniversary Concert (BBC Radio 2)
OLC The Girls. -
Michael Kholwadia
Ensemble/Drape/Cover Cry Baby and Dupree
Michael Kholwadia
Ensemble/Drape/Cover Cry Baby and Dupree
Training: ArtsEd.
Theatre credits: Pretty Woman (UK Tour), Claus (The Lowry), Les Miserables (Sondheim Theatre).
Workshop credits: Back in the Daytimer (Khani Arts), Reunited (Weighed In Productions), The Great British Bake Off: The Musical (Mark Goucher Productions).
Concert credits: The Show Must Go On! (Graduate Choir, MZG Theatre Productions); The Music of The Night (ArtsEd Choir, Royal Albert Hall); Olivier Awards 2019 (ArtsEd Choir, Royal Albert Hall); Chita Rivera: Live In London (ArtsEd Choir, Cadogan Hall). -
Paul Kemble
Judge/Father O'Neill
Paul Kemble
Judge/Father O'Neill
Theatre credits: Hello Dolly (Palladium), Joseph Boxhall in Titanic the Musical (UK and International Tour), Doc/ Officer Krupke in West Side Story (Ljubljana Music Festival, Ljubljana, Slovenia) Baron Elberfeld in Sound of Music (Alexela Concert Hall, Tallinn, Estonia), Horace Harwick in Top Hat (The Mill at Sonning), School of Rock (Gillian Lynne), Crow and Mr Janson in All the Angels (Sam Wanamaker Playhouse, The Globe), Lord Capulet in Romeo and Juliet (Middle East tour for S4K International), Geppetto in Pinnochio (Sharjah Literary Festival for S4K International), George, Rafaello Correlli and Howard Calvert in Top Hat (Japan), Chester in High Society (Old Vic), Bill in Made in Dagenham (original cast, Adelphi), Geppetto in Pinnochio (Middle East tour for S4K International),Ronnie Kray, Clore, Redmayne and Hollis in Stephen Ward (original cast, Aldwych), George, Rafaello Correlli and Howard Calvert in Top Hat (original cast, Aldwych and UK tour), Stitching Doctor in Love Story (West End cast, Duchess), Willard in Sister Act (original cast, London Palladium), Herr Zeller in The Sound of Music (London Palladium), Franz in The Sound of Music (original cast, London Palladium), Major Clusper in Two Cities (original cast, Salisbury Playhouse), The Woman in White (original cast, Palace Theatre/UK Movement Associate/Broadway), Honey in Cinderella (Royal Theatre, Northampton), Evita (Zouk Amphitheatre, Beirut), Mr Jesmond in Our House (original cast, Cambridge Theatre), Sunset Boulevard (UK national tour), A Little Night Music (Trinity Theatre, Tunbridge Wells) and Bernstein’s Mass (Queen Elizabeth Hall, Southbank).
Film credits: The Children Act, Edmund’s Trousers, Distortions and The Canterbury Tales.
Television credits: People Just Do Nothing (Roughcut for BBC), A Lawful Killing, Carboot Quest, Pantomentary and Our House. -
Kingsley Morton
Mona Malnorowski
Kingsley Morton
Mona Malnorowski
Training: ArtsEd.
Theatre credits: SuperYou (Leicester Curve); Heathers (UK Tour); The Addams Family (UK Tour); Let’s Face The Music(Royal Albert Hall).
Workshop credits: Romy & Michelle’s High School Reunion (MT Fest UK); Red Book (Global Musicals); Soapdish (MT Fest UK).
Television credits: Doctors (BBC). -
Lulu-Mae Pears
Allison
Lulu-Mae Pears
Allison
Theatre credits: Cosette in Les Miserables (London); Graziella in West Side Story (Ljubljana Festival, Slovenia).
Workshops: Charley The Musical, Chasing Rainbows: The Road To OZ. -
Jazzy Phoenix
Pepper Walker
Jazzy Phoenix
Pepper Walker
Theatre credits: Phantom of the Opera, Mamma Mia!, The Importance of Being Earnest, A Midsummer Night’s Dream.
TV credits: Nadine (recurring role) in EastEnders (BBC); Come What May (UK Tour).
Jazzy is from New Zealand. -
Chad Saint Louis
Dupree W. Dupree
Chad Saint Louis
Dupree W. Dupree
Training: Royal Academy of Music.
Theatre credits: Ghost the Musical (Northcott Theatre), Spring Awakening (Kay House Theatre), Assassins and Into the Woods (Susie Sainsbury Theatre).
Workshops: One Night Only.
Music: With music group ‘Semi-Toned’ (winners of Gareth Malone’s ‘The Choir’, BBC2) Chad has performed in national and international tours of the UK, US and in multiple five star sell out shows at the Edinburgh Fringe Festival.
Cabaret credits: Meet Me Saint Louis (Phoenix Arts Club), Revelations (Phoenix Arts Club), A Little Night Music: Cabaret After Dark (C-Venues). -
Eleanor Walsh
Lenora Frigid
Eleanor Walsh
Lenora Frigid
Training: Arts Educational Schools.
Theatre credits include: Rita & 1st cover Judy Haynes in White Christmas (The Mill at Sonning), Alternate Marie-Berthe Cazin in In Clay: A New Musical (Upstairs at the Gatehouse), Baby Bear in Goldilocks for Crossroads Pantomimes (Theatre Royal, Plymouth), Drama Club Drama Queen & 1st cover Veronica Sawyer in Heathers the Musical (UK Tour), Narcissa in Sleeping Beauty for Crossroads Pantomimes (Theatre Royal, Plymouth), Columbia & cover Riff Raff in The Rocky Horror Show (European Tour), Dick in Dick Whittington (The Bridge House Theatre), Doreen & Emergency Covid cover in Punchy! (The Courtyard Theatre), Associate Director & Ensemble in Godspell (Ye Olde Rose and Crown), Finch in The London Boys (Dolls in Amber), Ensemble & cover Kate McGowan/Murphy/Mullins in Titanic the Musical (International Tour), Jenny in Aspects of Love (Hope Mill Theatre/Southwark Playhouse) for which she received an Offie Nomination for Best Supporting Actress in a Musical, Ensemble in the UK Premiere of A Little Princess (The Royal Festival Hall).
Credits whilst training include: Sally Bowles in Cabaret, Ensemble in Top Hat, Ferris and Milnes Christmas Cracker (The Ambassadors Theatre).
Instagram: @elliee_walsh
Eleanor is represented by Russell Smith Associates Ltd and would like to thank her friends and family for their endless love and support.
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Mark O’Donnell & Thomas Meehan
Book
Mark O’Donnell & Thomas Meehan
Book
Mark O’Donnell’s plays include That’s It, Folks!, Fables for Friends, and The Nice and the Nasty (all produced at Playwrights Horizons), and Strangers on Earth and Vertigo Park (both produced by Zena Group Theatre). He wrote the book and lyrics for the musical Tots in Tinseltown. Mr. O’Donnell collaborated with Bill Irwin on an adaptation of Moliere’s Scapin, and he co-authored a translation of Feydeau’s A Flea in Her Ear, both for the Roundabout. For Manhattan Theatre Club where he translated Jean Claude Carriere’s La Terrasse. He has published two collections of comic stories Elementary Education and Vertigo Park and Other Tall Tales (both Knopf) as well as two recent novels Getting Over Homer and Let Nothing You Dismay (both now in Vintage paperback). His humor, cartoons, and poetry have appeared in The New Yorker, The New York Times, The Atlantic, Spy, The New Republic, and Esquire, among many others. He has received a Guggenheim Fellowship, the Lecomte du Nuoy Prize, and the George S. Kaufman Award.
Thomas Meehan received the Tony Award for co-writing the book for The Producers in 2001 and in 2003 for co-writing the book for Hairspray. He received his first Tony Award in 1977 for writing the book of Annie, which was his first Broadway show, and has written the books for the musicals Rocky, Elf the Musical, Cry-Baby, Young Frankenstein, Chaplin, Bombay Dreams, I Remember Mama, Ain’t Broadway Grand and Annie Warbucks. In addition, he was a long-time contributor of humor to The New Yorker, an Emmy-Award winning writer of television comedy, and a collaborator on a number of screenplays, including Mel Brooks’ Spaceballs and To Be Or Not To Be. Mr. Meehan was also a member of the Council of the Dramatists Guild. He and his wife, Carolyn, divided their time between a home in Nantucket and an apartment in Greenwich Village, near which, on Hudson Street, she owned and presided over the long-running and near-legendary children’s store Peanut Butter & Jane.
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David Javerbaum & Adam Schlesinger
Songs
David Javerbaum & Adam Schlesinger
Songs
David Javerbaum is an American comedy writer and currently an Executive Producer for Fusion Network (a joint venture network between ABC and Univision) to oversee development of a news satire block of programming. As the former Executive Producer of Comedy Central’s “The Daily Show with Jon Stewart”, his work for that program, including four years as Head Writer, has earned him 11 Emmys, two additional Emmy nominations, two Peabody Awards, and Television Critics Awards for both Best Comedy and Best News Show. He is one of the primary authors of the show’s textbook parody America (The Book), which sold over 2.5 million copies, spent a year on The New York Times Bestseller List (including 15 weeks at #1), won the James Thurber Prize for American Humor (his second), won the 2005 Quill Awards for Best Humor Book and Audiobook, and was named Publishers’ Weekly’s 2004 Book of the Year; the audiobook won a Grammy Award for Best Comedy Album. The book’s sequel, Earth: A Visitor’s Guide to the Human Racewas released in September 2010. He was also Emmy-nominated for his work as a writer for “The Late Show with David Letterman” and wrote for the 2006 Academy Awards. He spent three years writing for the satirical newspaper and website The Onion, conceiving its 1999 New York Times #1 bestseller Our Dumb Century and contributing numerous articles to it and two other Onion books. His first book as sole author, What to Expect When You’re Expected was published by Random House in 2009. In 2011, his book The Last Testament: A Memoir by God, was published by Simon & Schuster, and his affiliated Twitter account @TheTweetOfGod has over 1 million followers. Recently, Javerbaum wrote for the Netflix series “The Kominsky Method”, which won the Golden Globe for Best Comedy or Musical Television Series.
Javerbaum and his frequent collaborator Adam Schlesinger (Fountains of Wayne) have won two Emmy Awards for Outstanding Original Music and Lyrics for their songs featured in the 2011 and 2012 Tony Awards, both times performed by Neil Patrick Harris. They also received an Emmy nomination for Outstanding Original Lyrics and Music for “A Colbert Christmas: The Greatest Gift of All!”, which won a Grammy for Best Comedy Album. On the stage, David and Adam also earned a 2008 Tony nomination for their songs in the Broadway adaptation of John Waters’ film Cry-Baby, itself nominated for Best Musical. Javerbaum is a winner of the prestigious Kleban Award for Lyrics, and was the lyricist and co-librettist of Suburb, which won the Richard Rodgers Award for Musical Theater, as well as Best Off-Broadway Musical nominations from the Outer Critics Circle, the Lucille Lortel Awards, and the Drama League.
Javerbaum is a graduate of NYU’s Graduate School of Musical Theater Composition and Harvard University, where he wrote for the humor magazine The Harvard Lampoon and co-wrote two of that school’s Hasty Pudding musicals. He lives in Los Angeles with his wife Debra and their daughters Kate and Sara. His hobbies include the succinct encapsulation of his achievements.Adam Schlesinger was a songwriter, composer, and record producer. He won Emmy and Grammy Awards and has been nominated for Oscar, Tony, and Golden Globe Awards. He was also a winner of the ASCAP Pop Music Award. He worked in television, film, and theater, and was also a founding member of the bands Fountains Of Wayne, Ivy, and Tinted Windows.
His work includes the hit song “Stacy’s Mom” (recorded by Fountains Of Wayne, nominated for two Grammys); the title song from Tom Hanks’ film That Thing You Do (Oscar nominated for Best Original Song); the Broadway adaptation of John Waters’ Cry-Baby (nominated for two Tony awards); original songs for films like Ice Age 4: Continental Drift and Music and Lyrics starring Hugh Grant and Drew Barrymore; the opening songs for the 2011 and 2012 Tony Awards, performed by Neil Patrick Harris (including the Emmy-winning “It’s Not Just For Gays Anymore”); Jane Lynch’s opening number for the 2011 Emmy Awards; and songs for Stephen Colbert’s holiday special A Colbert Christmas: The Greatest Gift Of All (which won the Grammy for Best Comedy Album). He also wrote extensively for children’s programs like Sesame Street, Fresh Beat Band, and Big Time Rush. In 2019, Schlesinger won an Emmy for Outstanding Music & Lyrics for the television show “Crazy Ex-Girlfriend” which he shared with collaborators Rachel Bloom and Jack Dolgen.
Schlesinger’s songs have been performed by such diverse artists as Katy Perry, Jennifer Lopez, Jonas Brothers, Nicki Minaj, America, Willie Nelson, Toby Keith, Elvis Costello, Snoop Dogg, Brad Paisley, and Oscar The Grouch.
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Mehmet Ergen
Director
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Robert Innes Hopkins
Set & Costume Design
Robert Innes Hopkins
Set & Costume Design
Theatre:
The Merry Wives of Windsor, All’s Well That Ends Well, Pericles, Julius Caesar, Anthony and Cleopatra, Titus Andronicus, Coriolanus, Don Quixote, Oppenheimer (RSC); Neville’s Island, Speed the Plow, Clybourne Park (West End); Kenny Morgan (Arcola); Dmitry (Marylebone Theatre); Other Desert Cities (Old Vic); Noises Off (Nottingham Playhouse/Northern Stage/Nuffield Southampton); The Crucible, Swallows and Amazons (Bristol Old Vic); Lady In The Van, Kafka’s Dick (Theatre Royal Bath); King Lear (Chichester Festival Theatre/BAM ); The Boy in the Striped Pyjamas (Chichester Festival Theatre/UK Tour); A Doll’s House (NT Scotland); Twelfth Night, Romeo And Juliet (Regent’s Park); Arturo Ui (New York); The Weavers (Awarded Critics Circle Designer Of The Year at The Gate) The Member Of The Wedding (Young Vic); Edmond de Bergerac (Birmingham Repertory Theatre)Opera credits include: La Traviata (LA Opera), Orfeo Ed Euridice & Dido & Aeneas, Tamerlano, Belshazzar (The Grange Festival); Tristan Und Isolde, Tosca, La Traviata (San Francisco Opera); Siegfried, Das Rheingold, Die Walküre, Rigoletto (Lyric Opera Chicago); In Parenthesis, War and Peace, Rigoletto, Flying Dutchman (Welsh National Opera); Madame Butterfly (Den Jyske Opera); Charodeika (Teatro di San Carlo, Naples); The Italian Girl in Algiers, Peter Grimes, Billy Budd (Santa Fe Opera); Lohengrin, The Cunning Little Vixen (San Francisco Opera); Tristan und Isolde (La Fenice Venice); Aida (Opera Holland Park); The Cunning Little Vixen, Maometto II (Garsington Opera).
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Chris Whittaker
Choreographer
Chris Whittaker
Choreographer
Credits: Äiti, Vaimo… (Alexander Theatre, Finland); Mimma (Teatro Verdi, Italy); Boss Lady (Jyväskylä City Theatre, Finland); Bonnie & Clyde (Samppalinna Kesateatteri, Finland); Mad Hatters Circus (UK Tour); Murder For Two (National tour, Finland); Piaf (Tampere Teatteri, Finland); Pigs Might Fly (UK tour); A Midsummer Night’s Dream (Stafford Gatehouse); Anastasia (Tampere Teatteri, Finland); Sing Yer Heart Out For The Lads (Chichester Festival Theatre); Lady Chatterley’s Lover (Shaftesbury Theatre); Judy! (Arts Theatre); Jack & the Beanstalk (Sunderland Empire); Carnivale, Breakthrough Broadway, Moonshine (also director, Cove UK); L.A. Nights, Miami Beach (Backyard Cinema); Top Hat, Anything Goes, Singin’ in the Rain, 9 to 5, Once Upon A Mattress (Gatehouse Theatre, London); Light In The Piazza, The Wild Party, Urinetown (Royal Academy of Music); Snow White, Beauty & The Beast (Pavilion Theatre, Bournemouth); I Wish My Life Were Like A Musical (director – Underbelly, Edinburgh & King’s Head, London); Seussical, (Southwark Playhouse); Shout! (Associate Director/ Choreographer, UK tour).
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Ashton Moore
Musical Director
Ashton Moore
Musical Director
As Music Supervisor: RENT (Shaw Theatre).
As Musical Director: Play On (UK Tour & Lyric Hammersmith), The Last Five Years (Buxton Opera House), A Hundred Shining Stars (Palace Theatre, Southend).
As Associate Musical Director: Get Up, Stand Up (West End). Ashton’s original musical SAMSON was recently in development with ADAMA Entertainment. Ashton is also the founder, owner and director of The Musical Theatre Centre, based in Chelmsford, Essex.
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David Howe
Lighting Designer
David Howe
Lighting Designer
West End lighting designs include: The Mind Mangler, Smoky Mountain Christmas Carol, Magic Goes Wrong, Mischief Movie Night, Mischief Movie Night In (Streaming seasons), A Comedy About a Bank Robbery, McQueen, Quartermaine’s Terms, Bette and Joan, Birdsong, My Trip Down the Pink Carpet, Sweet Charity, Mrs Warren’s Profession, Private Lives, A Christmas Carol, The Norman Conquests, The Last Five Years, Tick Tick Boom!, Maria Friedman Re-Arranged, Rent, Seven Brides for Seven Brothers, Pageant, Forbidden Broadway, and La Cage aux Folles. Broadway and Off-Broadway, The Mind Mangler, Private Lives, The Norman Conquests trilogy, Primo. Woyzeck and The Roundabout Previously at The Park Theatre, Dead Sheep, An Audience with Jimmy Saville, Intra Muros.
UK regional theatre includes: Fanny (Watermill), The Mayflies (York), The Dance of Death (Bath Theatre Royal and UK Tour) Bloody Difficult Women (Riverside); Afterglow (Southwark Playhouse), The Happy Prince (Place Theatre), Love is Only Love, Starlight Express, Orpheus the Mythical (The Other Palace), Spring Awakening, The Bells are Ringing, Bullets Over Broadway, Cabaret (ArtsEd), Book of Grace, Richard III, The Cherry Orchard, Lower Depths, Clarion, The Sweet Smell of Success (Arcola), All My Sons (Rose Theatre, Kingston), Starlight Express (The Other Palace), Mind Mangler, Charlie Russel Aims to Please, Alex Salmond Unleashed (Edinburgh Festival),Matchbox Theatre, (Hampstead Theatre), The Curing Room, Pleasance London and Edinburgh), Love Me Do (Watford Palace), Sisters (Sheffield Crucible)
Opera includes: productions for National Opera Beijing, Philadelphia Opera, British Youth Opera, Royal Opera, and many European companies. Ballet; The Scandal at Mayerling (Scottish Ballet).
UK national tours include: Good Luck Studio, The Mind Mangler, The Dance of Death, Magic Goes Wrong, A Comedy About a Bank Robbery, Mischief Movie Night, Finding My Voice, Million Dollar Quartet, Dead Sheep, Bette and Joan, Chin Chin, 42nd Street, The Man from Stratford, Oklahoma!, Little Shop of Horrors, Singin’ in the Rain, Seven Brides for Seven Brothers, Our House, Fiddler on the Roof, South Pacific, Disney’s Beauty and the Beast, Me and My Girl and Carousel.
Recent other international designs: Terrible Influence (YouTube World Tour), Sister Act, Miss Saigon, Fiddler on the Roof, Oliver in Copenhagen, many other productions in Europe, Canada, USA, Middle East, and Asia.
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Matt Giles
Sound Designer
Matt Giles
Sound Designer
Previous Sound Design credits include: Into the Woods (The Mack Theatre, Mountview), Associate Designer: Aladdin (Assembly Hall Theatre), Girlhood (Edinburgh Fringe Festival), Urinetown (The Mack Theatre, Mountview), 9 to 5 (The Mack Theatre, Mountview), Serious Money (The Mack Theatre, Mountview), Dance Nation (The Mack Theatre, Mountview), Made in Dagenham (The Mack Theatre, Mountview), Alice in Wonderland (The Backstage Theatre, Mountview), Smile (The Mack Theatre, Mountview), Legally Blonde (The Mack Theatre, Mountview), Alarms and Excursion (Greenwich Theatre), The Beau Defeated (The Mack Theatre, Mountview), The Roaring Girl (The Mack Theatre, Mountview), West End in Blackpool (The Empress Ballroom), Burlesque’d Live (The Turbine Theatre), Aladdin (Hartlepool Town Hall Theatre), The Last Five Years (Buxton Opera House), And Then There Were None (The Dixon Studio) and Rent (Edinburgh Fringe Festival).
Previous Head of Sound credits include: Tina: The Tina Turner Musical (Aldwych Theatre), Sister Act (Uk & Ireland Tour), Paw Patrol Live: Race to the Rescue (Etihad Arena), 9 to 5 (Daegu International Musical Festival), Mother Goose (West End and UK & Ireland Tour), But I’m a Cheerleader (The Turbine Theatre), Cabaret (The Playhouse Theatre), Little Women (The Mack Theatre, Mountview), Death Drop (The Criterion Theatre), Queen of Hearts (Greenwich Theatre), Les Miserables (The Mack Theatre, Mountview) and Hymn (The Almeida Theatre).
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Defne Özdoğan
Associate Designer & Costume Supervisor
Defne Özdoğan
Associate Designer & Costume Supervisor
Defne Özdoğan is a freelance spatial designer based in London and Amsterdam, specialising in theatre and performance art. She is originally from Istanbul and holds a BA in Architecture from Central Saint Martins College of Arts. Her work spans stage and production design, exploring a variety of scales and narratives. Defne’s artistic vision draws on traditional craftsmanship, blending it with innovative, sustainable solutions.
She has collaborated with numerous stage designers on productions such as Possession, Sputnik Sweetheart, and No for an Answer at the Arcola Theatre. In addition to assisting on these shows, Defne has also led her own design projects for both film and theatre, including A Midsummer Night’s Dream (Arcola Youth Theatre), Mrs. Caliban (Theatro Technis), Captive (Independent Film), and Action at a Distance (Independent Film). -
Jo Palmer
Production Manager
Jo Palmer
Production Manager
Jo Palmer is a Freelance Production Manager and Lighting Designer for Live performance and exhibition. She has managed shows for over a decade for companies such as Split Britches, Action Hero and Cade & Macaskill and toured extensively both nationally and internationally. Most recently she was Production Manager for LIFT Festival’s 2024 programme.
Her Lighting Design work has most recently been seen as part of No Limits Festival in Hong Kong (Ad Infinitum’s Extraordinary Wall of Silence), the National Theatre of Lisbon (Cade and MacAskill’s The Making of Pinocchio) and the Soho Theatre, London (Sh!t Theatre’s Evita Too).
In 2021 she was nominated for the Evening Standard Future Theatre Fund for her work on Split Britches UXO at the Barbican. In 2022 she was nominated for a Best Lighting Design OFFIE for Beowulf: An Epic Panto and then again in 2023 for Rumpelstiltskin (both for Charles Court Opera).
Her past Production Management and Design for exhibition credits include Enquentro Festival in Montreal and La Mama Gallery space in New York.
For the most up to date information on her work please
visit www.jopalmer.info -
Evelin Thomas
Company Stage Manager
Evelin Thomas
Company Stage Manager
Evelin Thomas trained at The Royal Central School of Speech and Drama in Theatre Practice (Stage Management). Her credits include;
As Stage Manager: Here, Here, Here (Royal Stratford East), The Artist (R&D – Playful Productions), Hope Has a Happy Meal, Two Palestinians Go Dogging, No Borders (Royal Court Theatre), The Flood (Queen’s Theatre Hornchurch), Falkland Sound (R&D – Royal Shakespeare Company), The Great Gatsby (Hartshorn Hook)
As Assistant Stage Manager: Cabaret (Book cover – Playhouse Theatre), Hamnet (SM cover – RSC, Garrick Theatre), First Encounters Twelfth Night (Book cover – Royal Shakespeare Company), The Book of Will (Props – Shakespeare North), Much Ado About Nothing (Royal Shakespeare Company), The Witchfinder’s Sister, Neville’s Island, As You Like It, DNA (Queen’s Theatre Hornchurch), Two For The Seesaw (Trafalgar Theatre) -
Matthew ‘Lux’ Swithinbank
Production Electrician
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Freddy Sherwood
LX Programmer
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Patrick O’Sullivan
Sound No. 1
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Jane Deitch
Casting Director
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Jasmine Smith
Assistant Stage Manager
Jasmine Smith
Assistant Stage Manager
Training: MA in Stage and Event Management at Royal Welsh College of Music and Drama
Theatre Credits: Cinderella (Chichester Festival Theatre), Redlands (Chichester Festival Theatre), Between Riverside and Crazy (Hampstead Theatre), Double Feature (Hampstead Theatre), Jack and the Beanstalk (Manchester Opera House), Rebecca the Musical (Charing Cross Theatre), Stumped! UK Tour (Original Theatre Company), The Time Machine UK Tour (Original Theatre Company), Nativity! The Musical (Birmingham Rep) -
Xinxi Du
Assistant Director
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Ryan Heenan
Assistant Director
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Rish Rajput
Head of Wardrobe & Costume Supervisor/Dresser
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Gulfem Özdoğan
Costume Assistant
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Kaz Hamilton
Reeds
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Nadine Lee
Bass Guitar
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Lucy Gowen
Guitar/Ukulele
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James Green
Drums
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Jemma Love
Dep Reeds
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Zach Okonkwo
Dep Drums
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Richard Scarborough
Artwork Design
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Special Thanks to
Chiara Dadini, Minna Keenan, Gulfem Özdoğan, Charlotte Smith
Presented by arrangement with MUSIC THEATRE INTERNATIONAL
Cry Baby was originally produced on Broadway by Adam Epstein Allan S. Gordon Élan V. McAllister
and Brian Grazer
James P. MacGilvray Universal Pictures Stage Productions
Anne Caruso Adam S. Gordon Latitude Link The Pelican Group
in association with Philip Morgaman Andrew Farber/Richard Mishaan